Trampoline: An Illustrated Novel (Hardcover)
Dawn Jewell is fifteen. She is restless, curious, and wry. She listens to Black Flag, speaks her mind, and joins her grandmother’s fight against mountaintop removal mining almost in spite of herself. “I write by ear,” says Robert Gipe, and Dawn’s voice is the essence of his debut novel, Trampoline. She lives in eastern Kentucky with her addict mother and her Mamaw, whose stance against the coal companies has earned her the community’s ire. Jagged and honest, Trampoline is a powerful portrait of a place struggling with the economic and social forces that threaten and define it. Inspired by oral tradition and punctuated by Gipe’s raw and whimsical drawings, it is above all about its heroine, Dawn, as she decides whether to save a mountain or save herself; be ruled by love or ruled by anger; remain in the land of her birth or run for her life.
About the Author
Robert Gipe lives and works in Harlan County, Kentucky. Pop is his third Ohio University Press novel. His first, Trampoline, won the 2016 Weatherford Award for Appalachian novel of the year. His second novel, Weedeater, was a Weatherford finalist. For the past thirty years he has worked in arts-based organizing and is the founding coproducer of the Higher Ground community performance series. He has contributed to numerous journals and anthologies, is a playwright, and is currently a script consultant on a forthcoming television show based on Beth Macy’s Dopesick. Author photo by Amelia Kirby.
“A story that left my heart at once warmed and shattered, Trampoline rides the razor’s edge of raw beauty. This is Appalachia illuminated with a light uniquely its own. I dare say Robert Gipe has invented his own genre.”—David Joy, author of Where All Light Tends to Go
“Fascinating, honest, and sometimes darkly comic…The consciousness of the mountain itself and the animals on it become the quiet heart of this loud and heartbreaking book.”—Orion
“Rare is the novel that delivers on all that is promised by fans or by the carefully curated blurbs featured on its cover. But, in my mind, Trampoline fulfills these promises, portraying Appalachia in a manner that falls prey neither to the d
“I fear this book. I’m in love with this book. I’m laughing out loud at this book. I am knocked to my knees in grief by this book. One of the most powerful works of contemporary fiction I’ve read in years. I’ll never for
“Dawn Jewell is one of the most memorable and endearing narrators I have ever read. She's like a combination of Scout Finch, Huck Finn, Holden Caulfield, and True Grit's Mattie Ross, but even more she is completely her own person, the creati
“Dawn Jewell is one of the most memorable and endearing narrators I have ever read. She’s like a combination of Scout Finch, Huck Finn, Holden Caulfield, and True Grit’s Mattie Ross, but even more she is completely her own person, the creation of Robert Gipe, an author who has given us a novel that provides everything we need in great fiction: a sense of place that drips with kudzu and coal dust; complex characters who rise up off the page as living, breathing people we will not soon forget; and a rollicking story that is by turns hilarious, profound, deeply moving, and always lyrically beautiful. I think Trampoline is one of the most important novels to come out of Appalachia in a long while and announces an important new voice in our literature. I loved every single bit of this book.”
— Silas House, author of Clay’s Quilt and Eli the Good
“In 1980… John Kennedy Toole’s classic, A Confederacy of Dunces, was published by the Louisiana State University Press. The following year it won the Pulitzer Prize in fiction. That may have been the last time a university press introduced a major American voice—the last time, that is, until now…. Trampoline is a new American masterpiece.”
—Knoxville News Sentinel
“There are the books you like, and the books you love, and then there are the ones you want to hold to your heart for a minute after you turn the last page. Robert Gipe’s illustrated novel Trampoline is one of those—not just well written, which it is; and not just visually appealing, which the wonderfully deadpan black-and-white drawings make sure of; but there is something deeply lovable about it, an undertow of affection you couldn’t fight if you wanted to. …Gipe deftly avoids every single cliché that could trip such a story up, which includes having a pitch-perfect ear for dialect and making it into something marvelous.” —Lisa Peet, Library Journal’s “What We’re Reading”
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